One Indian Girl - Chetan Bhagat

One Indian Girl by Chetan Bhagat centers on Radhika Mehta, a successful investment banker navigating love, career, and societal pressures. Told in Bhagat’s signature conversational style, the book aims to present a feminist narrative, exploring Radhika’s relationships with three men: Debu, her ex-boyfriend; Neel, her married boss; and Brijesh, her arranged marriage prospect. The story is set against the backdrop of her destination wedding in Goa and moves between her past relationships and current dilemmas.


The novel aspires to address themes of gender bias, societal expectations, and the internal conflicts faced by modern Indian women, particularly those pursuing ambitious careers. Bhagat attempts to write from a female perspective, a bold departure from his earlier works, which are predominantly male-centric. While the intent is commendable, I found the execution lacking.


Unlike Bhagat’s previous novels, which were lighthearted and relatable, One Indian Girl feels distinctly different. For me, it was an agonizing read/listen. The plot seemed riddled with forced drama, and there were far too many “WTF” moments that broke the flow of the narrative. It took me months to finish, not because the book was thought-provoking, but because it felt disconnected and frustrating. Radhika’s character, instead of being a strong feminist icon, often comes across as contradictory and confused. Her choices and reflections fail to evoke empathy or understanding.


The story’s reliance on clichés and its shallow handling of complex themes left me disengaged. While Bhagat’s intent to highlight the struggles of a modern Indian woman is praiseworthy, the execution feels superficial and unconvincing. The narrative often feels like an oversimplification of feminism, and the attempts at humor or relatability fall flat.


In conclusion, One Indian Girl is a departure from Bhagat’s usual storytelling style, but not necessarily in a good way. The book’s attempt to delve into important societal issues is overshadowed by its weak narrative and lack of depth. As a longtime reader of Chetan Bhagat’s novels, I found this one disappointing, and I wouldn’t recommend it unless you’re curious to see his take on a feminist protagonist. Be prepared, though—it might be a tough one to finish.

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